Artworks

Clockwork IV.

Clockwork IV.

The decimal number system is simply not magical enough to measure time.

software, Windows executable file
2010, Gyergyószárhegy
4.4 MB

Time magnet

Time magnet

The time magnet shows the structure of the time from plan view, as we never could perceive.

inkjet print, paper
2010, Gyergyószárhegy
9 x 100cm x 70cm

Clockwork III

Clockwork III

The third clockwork is movement. There is a field covered by clocks. Their clockhands move contiounusly following a set of rules. The rules are based on time and the position of a spectator driven spot.

software, Windows executable
2007, Budapest
4.82 MB

Dark geo II.

Dark geo II.

Dark geo was produced by placing drawings on the rhombuses of the Penrose tiling. As the drawings meet where the sides of the rhombuses do, a labyrinth is created, or at least a network. There are two kinds of drawings on the rhombuses; one can be seen by natural light, the other by ultraviolet light.

installation, ink jet print, back light plastic, red and ultraviolet light
2005, Budapest
7 x 1.4 m

Dark geo

Dark geo

Dark geo was produced by placing drawings on the rhombuses of the Penrose tiling. As the drawings meet where the sides of the rhombuses do, a labyrinth is created, or at least a network. There are two kinds of drawings on the rhombuses; one can be seen by natural light, the other by ultraviolet light.

installation, offset prints, black, red and ultraviolet paint
2005, Budapest
cca 40 m2

Rule

Rule

They could be called stillife.

inkjet prints, plastic sheet
2004, Budapest
6 x 1.5m x 2.5m

IFS-drawings

IFS-drawings

These drawings seems to be the result of a deep meditation of a sensitive, but virtuoso drawer. They fit into the scratch-book of a nature-believer, but abstarct painter's (like Agnes Hincz).

software, 100 70 x 100 cm sized digital inkjet prints
2001, Budapest

Perfect City

Perfect City

I wanted to walk at the streets of the Ideal City. I wanted to know, how it is look like from lower view what looked so perfect from top view on the map.

installation, white industrial paint, factory building
2000, Marseille
cca 200 m2

100 drawings

100 drawings

The 100 drawing is a 100 piece series of 100 x 70 cm drawings, maybe print is better word. Citation from Gábor Andrási: "... these are not drawings."

software, 100 70 x 100 cm sized digital inkjet prints
1999, Budapest

Recursive artwork

Recursive artwork

I placed two light sources onto the ground of the cellar. I put a stick into a hole in the wall. The stick had two shadows. I made new holes at the end of the shadows, and put two sticks in them. The two new sticks have two shadows. I put four new sticks to the end of the four shadows... and so on.

installation, lights, wood sticks
1999, Budapest, Gallery of Club Óbuda
cca 3m x 3m

Clockwork I.

Clockwork I.

The clock is the only human machine, which does not manipulate the nature. It shows the time, does not make or destroy it.

installation, offset prints, black contact folie, pins
1994, Amsterdam
cca 3 m2

Clockwork II.

Clockwork II.

All of them is a 'memento mori', like the sun-clock of the Benedictiner Monastery of Pannonhalma. Its text: 'One of these hours will be your last one'.

black and white photographs
1995, Amsterdam

Slow artwork

Slow artwork

In the back of the clocks the keys rotate counterclockwise, but at the same speed as the clock hands. The rotating keys move the clocks on the ground.

installation, 25 mechanic alarm clocks
1995, Amszterdam

Penrose-wallpaper

Penrose-wallpaper

I wanted disguise the artwork-context, that's why is it a wallpaper. The image covers the wall, not hangs on it in frame.

installation, offset prints
1995, Amsterdam
cca 25 m2

Penrose-parquet I.

Penrose-parquet I.

Sometimes hundred shapes fit well, but the next does not, because of a wrong decision was taken fifty shapes before.

installation, wood
1994, Amsterdam
cca 10 m2

Penrose-parquet II.

Penrose-parquet II.

This method gives the negative of a tiling. This second tiling is very different from the original. It is constructed from 75 kind of shapes, some of them is so rare, that there is none of them in the installation.

installation, wood, acrylic paint
1995, Amsterdam
20 m2

Plasterwork

Plasterwork

The Ideal City is also a geometrical representation of the Ideal Society.

installation, plaster, white acrylic paint
1995, Amsterdam
cca 3m x 4 m
it has been destroyed

Penrose-rain

Penrose-rain

I put wave-sources (transmitters) to the half-section of the shapes' sides. I accounted the wave-interference for a water-like liquid.

installation, offset prints
1995, Amsterdam
cca 10 m2

Step

Step

Like a hourglass: Clear, that every grain of sand goes to the lower pot, but there is quite hard to know, in which order.

etching
1994, Amsterdam
cca 10m x 6m
in the collection of Osaka Graphic Triennale Foundation

Art